Episode 437 – Developing Pitch Matching Skills
In this episode of The Intelligent Vocalist, John shares his personal journey with pitch-matching and explores how singers can improve this critical skill, even if they’ve struggled in the past. He
Episode 436 – Being Wrong Can Still Be Right
In this episode of The Intelligent Vocalist, John explores why even inaccurate or oversimplified vocal concepts can still be helpful and meaningful in practice. He reflects on the balance between scientific
Episode 435 – Six Voice Teachers You Should Follow
In this episode of The Intelligent Vocalist, John shares six voice teachers who have deeply influenced his own work and are helping to shape the future of vocal education. From neuroscience
Episode 434 – The Hidden Reasons Behind Vocal Issues with Tara Simon
In this episode of The Intelligent Vocalist, acclaimed vocal coach and YouTube creator Tara Simon joins the conversation to explore the deeper causes behind common vocal struggles. She shares insights on
Episode 433 – The Dip
In this episode of The Intelligent Vocalist, John explores the concept of The Dip, based on Seth Godin’s work, and how it applies to the journey of singers and performers. He explains
Episode 432 – Top Ten Changes in Vocal Education
In this episode of The Intelligent Vocalist, John reflects on how vocal education has evolved over the years since he began teaching. From the rise of voice science and virtual lessons
Episode 431 – Seven Ways Aging Affects the Voice
In this episode, John shares his personal experience with age-related vocal challenges and outlines seven ways the voice changes over time. He explains how muscle loss, hormonal shifts, and neurological
Episode 430 – The Sometimes Vowels
In this episode of The Intelligent Vocalist, John dives into the power of the “sometimes vowels” Y and W—why they’re more than just grammar quirks and how they can help singers
Episode 429 – Owning the Room
In this episode of The Intelligent Vocalist, John explores how singers can project presence and energy to truly "own the room" during a performance. He explains how outward focus, emotional intention,